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In partnership with "Control I", transformation and manipulation of sound sources that entirely removes them from their distinguishable origin speaks to complex notions of power and powerlessness. We are all monitored, mapped, tracked and controlled like never before. At the same time, power structures influencing us have never been more exposed. At this juncture of control and knowledge, what could our future direction be?

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Absence via prolific distraction. Absence through disengagement and apathy. The stage is set, the lights are on, but no-one is actually dancing.

It began as a somewhat impersonal, observational comment on contemporary fascinations with technology and the thinning of human bonds that happens when our attention is consumed. But as the work progressed my commentary turned inward, exploring the part played by diverted attention and infinite distraction on my own relationships, processing of death and grief, and disconnection from the linearity of my own narrative. It became deeply and at times excruciatingly personal.

Common Electric Glare is built from rich soundscapes, layered and processed field recordings, and angular sonic textures. It represents a key development in creative process and an emergent individuality in its execution. Diminished is the reliance on recognisable musical instrumentation and harmonic structures. Championed here is figure, form, and the metamorphosis of sound sources into emotional and physical hooks. I'm still playing piano, just not in a way you’ve heard before.

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from Common Electric Glare, released August 27, 2021
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Timothy Fairless plays Hohner Pianet T, synthesizers, and field recordings

Produced, mixed & mastered by Timothy Fairless

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Timothy Fairless Brisbane, Australia

Timothy Fairless is an Australian composer & multi-instrumentalist who processes acoustic, electronic and environmental sources to near oblivion, but combines them with enough familiar musicality to keep things friendly.

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